Konstnärsnämnden - “As soon as I open my eyes I see a film”

Boris Charmatz: Modern Dance: Janevski, Ana, Velasco, David

Ana Janevski We use our own and third-party cookies to personalize your experience and the promotions you see. By visiting our website or transacting with us, you agree to this. Ana Janevski (1976, Belgrade) is Curator in the Department of Media and Performance Art at The Museum of Modern Art. She holds an MA at the École des hautes études en sciences sociales (EHESS) in Paris on the Articulation of Balkanism in Contemporary Art. Ana Janevski joined The Museum of Modern Art in 2011. She has co- organized the performance series Words in the World (including performances by Paulina Olowska, Nora Schultz, Ei Arakawa, and Guy de Cointet); the performance symposium How Are We Performing Today; Martha Rosler’s Meta-Monumental Garage Sale; and the performance series Performing Histories: Living Artworks Examining the Past Ana Janevski is currently Curator in the Department of Media and Performance Art at The Museum of Modern Art. Most recently, she co-organized Judson Dance Theater: The Work is Never Done (with Thomas Lax and Martha Joseph) She has collaborated with many choreographers and artists such as Anne Teresa De Keersmaeker, Jérôme Bel, Yvonne Rainer, Rabih Mroué, Boris Charmatz & Musée de la danse Janevski stands with the mirrored glass and perforated steel of Dan Graham's Child's Play, 2015–16 in MoMA's sculpture garden. Forging new ground as a curator in the Museum of Modern Art’s department of media and performance art—formed in 2006, the youngest department at the New York art institution—Ana Janevski has been preparing herself for the challenge her whole life. INTERVIEW: BORIS CHARMATZ and ANA JANEVSKI . Edited by Leora Morinis.

Ana Janevski, Associate Curator in the Department of Media and Performance Art at the Museum of Modern Art is the first curator to have presented Charmatz’ work in the US. She will preview the performance and contextualize Charmatz’ work. The launch of Zdenka Badovinac’s new book Comradeship: Curating, Art, and Politics in Post-socialist Europe published by ICI.The evening will featured a presentation and conversation with Zdenka Badovinac and Ana Janevski considering the trajectory of Badovinac’s work as it is articulated through her new publication. Ana Janevski is Curator in the Department of Media and Performance Art at MoMA. Martha Joseph is Curatorial Assistant in the Department of Media and Performance Art at MoMA. Thomas J. Lax is Associate Curator in the Department of Media and Performance Art at MoMA.

Since shocking audiences in 1993, at age 19, with his radically sparse A br MoMA Associate Curator Ana Janevski discusses Yvonne Rainer's "The Concept of Dust, or How do you look when there's nothing left to move?" with Douglas Crimp The Amsterdam-based artist @noraturato checked in with curator Ana Janevski (@a_janevski) to discuss the power of voice, collecting language, and Turato’s new Artist Project, “pool 4.” “pool 4” is the title both of a performance and a book produced for MoMA, in which the artist collects language from a range of sources.

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Ana Janevski is Associate Curator in the Department of Media and Performance Art at The Museum of Modern Art. In 2015, Janevski served as an LOI panelist in Performance. View the profiles of people named Ana Janevski. Join Facebook to connect with Ana Janevski and others you may know.

Ana Janevski · As Soon as I Open My Eyes I See a Film - iMusic

post.at.moma.org/content_items/1476-post-catastrophic-museums -of-care. Highlights's profile picture. Highlights. 149 posts · 3,218 followers For the release of a new number of Perspective catalog, choreographer Boris Charmatz and MoMa's curator Ana Janevski met for a dialogue on dance.

De som köpt den Ana Janevski, curator at Museum of Modern Art Warsaw, was invited to give a lecture at Iaspis, on the Croatian experimental film scene in the 1960s and 70s. In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art".
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Edited by Leora Morinis. Musée de la danse. Flip Book. 2008.Concept: Boris Charmatz. Performed in 2012 in the Tanks, Tate Modern.

Ana Janevski is Curator in the Department of Media and Performance Art at The Museum of Modern Art. Roxana Marcoci is Senior Curator in the Department of Photography at The Museum of Modern Art, and C-MAP Leader for Central and Eastern Europe at the Museum. 32k Likes, 196 Comments - MoMA The Museum of Modern Art (@themuseumofmodernart) on Instagram: ““Sharon collaborated with Ana Janevski, Martha Joseph, and me on our exhibition 'Judson Dance…” In 2010 Janevski co-curated the first extensive show about experimental film in Yugoslavia at the Museum of Modern Art in Ljubljana, This Is All Film! Experimental Film in Yugoslavia 1951–1991. She also co-curated, with Pierre Bal-Blanc, the performance exhibition The Living Currency.
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Judson Dance Theater CDON

Primary Documents. The Museum of Modern Art, New York, 2018. 408 pp. Illustrations. Figures.

Boris Charmatz: Modern Dance: Janevski, Ana, Velasco, David

The Museum of Modern Art, New York. Committee on Media and Performance Art Funds. Ana Janevski: 1989 is not only considered a pivotal year in the reconfiguration of the world political order, it’s often seen as a threshold for all sorts for interrelated social and cultural transformations, the “turn of turns,” as it were. Drop in with Nora Turato The Amsterdam-based artist @noraturato checked in with curator Ana Janevski (@a_janevski) to discuss the power of voice, collecting language, and Turato’s new Artist Project, “pool 4.” “pool 4” is the title both of a performance and a book produced for MoMA, in which the artist collects language from a range of sources.

She will play a major role in shaping the new-media and performance program planned for the institution’s $400 million expansion project, which will include exhibition spaces dedicated specifically to time-based work.Janevski joined MoMA in "Laziness and Work" In this video interview recorded on the C-MAP Central and Eastern European research trip to Berlin in June 2016, artist Ewa Partum speaks with Ana Janevski, Ana Janevski and Sanja Iveković January 2, 2019 A major new publication, Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology , presents key voices of this period that have been reevaluating the significance of the socialist legacy, making it an indispensable read on modern and contemporary art and theory.